Butterfly
Country
Festival
Sportpark
De
Meerdijk, Emmen, The Netherlands
Sunday July
10th 2005
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It's
almost like in the early 80s, the old days with the big country
festivals taking place at Sportspalace Ahoy in Rotterdam! Some music
loving people have the courage to book a few big names and hope to fill
a soccerstadium in Emmen, close to the Dutch/German border. Our
radio-show Alt. Country Cooking paid a lot of attention to the efforts,
with a prize-contest even and the organization is generous enough to
offer us free tickets in return. Emmen, never been there before. As my
neighbor with car bails out at the last moment, I have to rely for
two-and-a-half hours on the bus... Three different ones to get there
and then in the evening another route with also three buses making the
last connection. The smart little day-ticket costs only 6 Euri, that's
a good start along with the sunny weather. During the trip a fellow
passenger tells me his whole life story and I consider again to start
writing scripts for a soap. The third bus is just a van with eight
seats, but it brings me to the outskirts of Emmen and then I have to
walk another fifteen minutes to the stadium. It turns out that the
ticket-sales wasn't going so well, no concerts in the stadium with the
artists looking down into quite a bit of emptiness, but at another
-much smaller- set-up a little further, good move. There are still fans
traveling from as far as the Scandinavian countries, Hungary and
Letvia! A Western market is situated in front of the entrance, country
music sounds everywhere and I see a lot of cowboyhats and other attire,
the variety of t-shirts that people wear is also worth studying! Good
to pass time, as it takes forever to get through security... Up to 45
minutes in the hot midday sun with a quite strong wind causes several
people a bad burn. All is forgotten at exactly 2 pm, when the MC Ruud
Hermans (well-known as the host of American Connection on Radio 2)
starts his rehearsed word of welcome!
My
ticket allows me to hang out in the area with standing room only.
There's a little shade in front of the galleries, the ground is covered
with wooden pallets, not too bad to sit on, so I think I'll stay here!
One of my friends has a seat in front of the stage, it must be so
bloody hot there... I also see my favorite photographer Peter and his
wife, it's a pity they don't allow him to take his pictures closer to
the stage than here, no pleading with the security-guards or waving
E-mail prints helps.
In the meantime RUUD
HERMANS
starts his set! It's been a long time since I've seen him with a band:
drummer, bassplayer and leadguitarist, Ruud himself plays acoustic
guitar and goes through his latest three albums for songs. He wrote
"Blue Horizon" together with Hugh Moffatt, "One Love Ago" and "Waitin'
For You" are collaborations with Dick van Altena, good choice of songs
for this 45 minutes set. Thirty years ago Ruud sang with The
Tumbleweeds and their big hit "Somewhere Between" has to be featured.
The original was written by Merle Haggard and Bonnie Owens, while
guitarist Cor Mutsaers switches from acoustic to electric guitar for
the last three songs, Merle's "If I Can Only Fly" is also played. Ruud,
wearing black pants and t-shirt with funky red-and-white sneakers, is
obviously very nervous! He pulls off the singing very well, but his
announcements end every now and then in mumbling or an uneasy giggle,
while he tries so hard to be a good entertainer! He should be used to
it by now, the very first time I saw him live he was opening at one of
those big countryshows at Sportspalace Ahoy!
It
takes half an hour to get everything on the big stage ready for the
second act. The sound is good, the same goes for the view from all
points. Time to go exploring. There are enough relatively clean
restrooms, but funny enough there's no drinking water anywhere... While
Ruud urges us from the stage to drink plenty of water, this water isn't
good for drinking, right here in The Netherlands! Do we have other
options? There's no tea or coffee, to the annoyment of many, just beer
and various softdrinks, one coin a glass, five Euri for three coins, we
get the picture! Ruud runs by while German band SLOW HORSES is
already waiting on
stage. Quite a few musicians up there: a lady-singer with appealing
voice and acoustic guitar, a leadguitarist wearing a cowskin jacket and
playing three different electric guitars, there's bass, drums,
steelguitar and also keyboards, played by a bearded man with a black
piece of cloth wrapped around his head. The pretty blond singer starts
talking to us in Dutch and switches then to English. The cowskin-guy
even jokes about soccer, risky, given the history of games between the
Dutch and German teams! They play all original songs, I recognize the
second one "I Can't Look At That" as a single we received for our
radio-show. Not bad at all, catchy country, a few good hooklines, like
"stop barking at the wrong tree", an a-capella piece. Their excitement
shows, they give all they've got to deserve this chance. Good players,
the bassist switches to mandolin and the steelguitar makes way for a
baritone guitar in the course of the songs. They end with some
rock&roll, Slow Horses, on the scene for five years now, only
time
will tell if they'll ever outgrow opening at festivals!
We
have to wait until half past five for HEATHER
MYLES. According to the rumors, she must be a feisty lady
and
I'm curious to see her for real. One story in particular stuck with me,
where she cancelled her Dutch concerts because her guitarplayer had
been in an accident and she didn't want to play with ANYBODY else, none
of the good players the poor promoter suggested! I get the picture when
Miss Myles struts on stage, wearing tight black with gold pants, a belt
with huge silver coins and a black jacket over a see-through top! Blond
hair, shiny sunglasses, she reminds me of Carlene Carter in one way or
another... She swings to her first song: "Who did you call darling too
last night" and picks up her acoustic guitar half-way. "It's time to go
honky-tonkin'!" she announces and sings "I'm playing every honky-tonk
in town" followed by "I'm your one-man woman again" before greeting
familiar faces and thanking us for supporting country music. She's
quite a good singer, at least she knows how to entertain a crowd and
her songwriting is fantastic, with the upbeat melodies and smart
hooklines. "Nashville's Gone Hollywood" is a fabulous song: "You don't
need a pedal steel in your watered down rock&roll, if you're
young
and sexy you will be rollin' in the dough." Right on the money,
Heather! Although I'm not too familiar with her repertoire, I recognize
"Short Term Lovers" before she slows down for a few ballad-type songs.
Bob Ryan, the guitarplayer of her Cadillac Cowboys (drums, bass,
electric guitar and pedal steel) teases her: "Take off your jacket!"
and she replies without blinking: "They're REAL!!" More witty lines: "I
found a rock at the end of my rainbow, while searching for my pot of
gold" and "Mr. Lonesome, cheer up somebody else, I can do better by
myself", which has wonderful guitar-riffs as an intro. "Love me just a
little bit longer", I know that one. Heather plays for almost an hour,
including two encores. Before starting the first one, some instrument
makes a terrible ear-piercing sound and the Cadillic Cowboys just look
at each other: "Who's doing that?" Heather comes back without guitar
for the classic "By The Time I Get To Phoenix" and moves her hips on
"Sweet Little Dangerous". She asks for requests, to fill the second
encore and decides to sing an early recording: "Rum And Rodeo", a true
story, followed by "You Got To Kiss An Angel Good Morning" and another
fast one: "If the truth hurts, tell me a lie". This is country music
how it's supposed to sound!
Many
music lovers at the festival get hungry by this time, but... It wasn't
allowed to take any food inside and the security has been very strict,
lots of food like sandwiches and raisinrolls was thrown out and put
behind the tables at the entrance. Now everybody has to try and get
something for two or three festival-coins from the one and only
foodstand, run by two people. Of course that turns out to be a complete
disaster! At half past five there are only breadrolls with quickly
cooked hamburgers available, then they run out of breadrolls and then
everything is gone... The Western market has only some candy for sale
and we're in the middle of nowhere, far from any restaurant or shop.
Hello, Butterfly-honchos, you can't do this to people who have been
traveling for hours and paid at least 45 Euros for a ticket!! A little
respect and common sense isn't too much to ask for, is it? Jeez, even
if I were a carnivore, I wouldn't eat such a hamburger... Back to the
music, that's safer!
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BR5-49 appears on
stage and I see,
what one of my friends already told me about: a new line-up. Only
singer/guitarist Chuck Mead and drummer Shaw Wilson are still there.
The very talented second singer/guitarist Chris Scruggs (grandson of
Earl Scruggs) and Geoff Firebaugh, the tattood giant on bass are gone,
even multi-instrumentalist Don Herron, always the favorite of audiences
isn't playing in BR5-49 anymore! This is almost another band, with a
new fiddler, pedal steel-player and another guy on the doghouse bass.
O.K., let's give them the benefit of the doubt! "Long Gone Lonesome
Blues" is the first song and Chuck welcomes us for the "hillbilly beat
show", he has to work twice as hard now but he's energetic as always,
wearing a black cowboy suit, a red bandana round his neck and even a
straw hat! The fiddleplayer, Jimmy Clark, turns out to be another
multi-instrumentalist, he plays also electric guitar, mandolin and...
trumpet, like in "My Window Faces The South". The band plays various
songs from their latest album, "I'm All Right (For The Shape I'm In)",
"When I Come Home (From Honky Tonkin')" and that wonderful "No Train To
Memphis"! The pedal steel player was supposed to blow a wooden whistle
to start that one off, forgets it and Chuck laughs more than he sings
during the first verse, afterwards he explains and we get to hear that
"train-whistle". The classic song "Crazy Arms" is still on the
set-list, Chuck says thank-you in Dutch, joking: "Hey, I'm not a first
timer anymore!" A lot of up-tempo songs with well-played solos, still a
mix of honky-tonk, western swing and rockabilly, it's different but
definitely still BR5-49! "You're all too hot!' Chuck declares, taking
off his hat after another of his leg-twists and wiping his face with a
towel. Slow one: "Tangled In The Pines", followed by their trademark
"Cherokee Boogie", then Chuck insists on doing some George Jones. He's
really in the mood: "Lateron Asleep At The Wheel will be playing and
Dwight, then it's getting real nutty... Get drunk for our sake, screw
the other guys!!" Well, they're nutty themselves, what to think of a
line like: "She's showing her tattoos one at a time"? "Eighteen Wheels
And A Crowbar" closes off the set, still with the funny effects on
Shaw's cymbals. Encore? Yes, "Way Too Late (To Go Home Early Now", with
the trumpet and Chuck showing off on guitar. I still love that band!!
ASLEEP AT THE WHEEL,
I
should have seen them years ago. They opened for Bob Dylan in
Bakersfield, California but we were too late, driving from Camarillo my
friend had to take his old car apart in order to continue our journey
and then we waited for friends from the San Francisco-area who ran into
even more trouble: the fire department had to free one of them from
their broken down car! But if you wait patiently enough, the band comes
conveniently to The Netherlands! Ray Benson has reached an almost
legendary status with his authentic Western swing: "Don't look now,
folks, but you're all asleep at the wheel!" This is a real big band:
Ray himself plays an electric guitar, the upright bass is also the
electric type, keyboards, fiddle, Hawaiian pedal steel and... nice
surprise: ELIZABETH
MCQUEEN
joined a few months ago as a singer, playing the acoustic rhythm
guitar. Her husband Dave Sanger is also in the band, that explains a
lot! We hear a lot of old classics like "Route 66" and "Don't Fence Me
In". The fiddler sings leadvocals on "A Six-Pack To Go" and Elizabeth
does that on "But I Wonder" and "I'm An Old Cowhand From The Rio
Grande", she sounds good now, in the earlier harmonies she forced her
voice too much. She looks cool, I've said it many times before: I like
performers who wear their eyeglasses on stage! There's nothing wrong
with us, four-eyes... An instrumental, "Under The Double Eagle" and a
catchy Bob Wills-song: "Take Me Back To Tulsa". Jason Robard, the
fiddler, gets into the role of Bob Wills, that he plays in theatres in
Texas, for "Breakdown". Followed by "Ain't Misbehavin'" and "Big Balls
In Cowtown" that Ray recorded with George Strait. Right in the middle
he asks: "Is everybody happy?" So many old-fashioned cliches, that it's
getting funny again. The pedal steel player turns out to be pretty good
on the saxophone too. Something about a "Hot Rod Lincoln", then "The
House Of Blue Light" while Ray introduces the band, guitar on his back,
juggling with a few small balls... Yes, really. He claps his hands, the
fiddle starts playing and that ends in a bit too noisy "Cotton-Eyed
Joe". When the crew is ready to attack and clean the stage, Ray decides
he wants to do an encore. He says: "We thought it would be cooler
here..." Elizabeth stays positive: "Are you kidding? In Texas it's now
110 degrees! It's nice here!" They sing "The Letter Johnny Walker Read"
as a duet and end with "Miles And Miles Of Texas". Yes, I've finally
seen them live, Asleep At The Wheel! I think they fit better here than
as the opening-act for Bob Dylan though...
It's
a quarter to nine already, the festival was supposed to end at ten and
I have to leave for my last connection at a quarter to ten at the
latest. This was to be expected, festivals almost always run behind
schedule... Well, with a little bit of luck I still get to see DWIGHT YOAKAM for
half an hour! As
one of my best friends always says: "You can't have everything all the
time" and many music lovers never get the chance to see Dwight at all.
The temperature is bearable now, the people with seats in front of the
stage return there and get as close as possible, much to the annoyment
of the security-guards. Ruud Hermans has to announce that Dwight and
his band won't start playing until the area in front of the stage is
cleared. I know, Dwight is a cautious man, he even cancelled his
European tour in 1991 after the first Gulf War broke out. But what can
happen here? We've all been turned inside out by the security, they
walk around constantly in their black suits with their little "ears"
for contact, even checking the emergency exits every half hour for
possible break-ins... Finally, there he is and the applause gets real
loud! Wow, he looks very handsome in his trademark super-tight jeans
and beige hat, his shirt is really something too: blue with embroidered
roses and glitters and long white fringes along the sleeves! He plays
an acoustic guitar and starts off with two of the new songs, "She'll
Remember" and "Blame The Vain". Again uproar in the front, there are so
many wannabe photographers that the people in the first two rows start
to throw empty plastic cups at them! The security apparently gets sick
of it all, sends everybody back and forms a human wall in front of the
stage, that finally does the trick. Dwight thanks us for coming out,
his bassplayer switches to the upright bass and on it goes: "I Want You
To Want Me", "Please Please Baby", "Turn It Up, Turn It Loose". I can't
believe my eyes: Mr. Yoakam has sheetmusic on a stand next to him! In
the songs that have a twist of rock&roll he moves his hips like
Elvis and holds up his guitar. Is all of it routine? He seems to be in
a good mood though: "I haven't been here since a long time, that was in
the club Paradiso.." Yes, that was the legendary concert of 1994, which
was even broadcasted by Radio Veronica! It's a well-oiled machine for
sure, the leadguitarist plays a mandolin-solo and the instrument is
handed to him by a guitar-tech, ready to play. "A Long Way Home" and
then he explains something about "Dwight's Used Records" before he
sings "Stop The World And Let Me Off". Too bad, it's a quarter to ten
now and I have to be fast in order to catch that last bus making a
connection... The music accompanies me for a while when I walk away.
A
day full
of hard-core country. I used to play this all the time, also in my
first series of radio-shows. Maybe my taste shifted a bit more towards
alternative, a couple of friends told me the same today, another friend
moved more towards bluegrass. Anyway, it was a great trip down memory
lane!!
-----
Written
by Johanna J. Bodde,
Jule 15th 2005, for Insurgent Country, Germany. www.insurgentcountry.net
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